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	<title>Mats Gustafsson &#187; barry guy no</title>
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		<title>Barry Guy N Orch</title>
		<link>http://matsgus.com/archives/282</link>
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		<pubDate>Sat, 04 Apr 2009 22:06:23 +0000</pubDate>
		<dc:creator>Mats</dc:creator>
				<category><![CDATA[barry guy no]]></category>

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		<description><![CDATA[BARRY GUY NEW ORCHESTRA Barry Guy bass, director (GB) Agusti Fernandez piano Evan Parker sax (GB) Mats Gustafsson sax, fluteophone (SE) Hans Koch sax, clarinets (CH) Herb Robertson trumpet (USA) Johannes Bauer trombone (DE) Per Åke Holmlander tuba (SE) Paul Lytton percussion (GB) Raymond Strid percussion (SE) Barry Guy is one of the world&#8217;s leading [...]]]></description>
			<content:encoded><![CDATA[<h2>BARRY GUY NEW ORCHESTRA</h2>
<table class="orangeborder" border="0" cellspacing="0" cellpadding="2" width="400">
<tbody>
<tr class="ensemborderbot">
<td>Barry Guy</td>
<td width="10"><img src="http://www.barryguy.com/transparent.gif" alt="" width="10" height="10" /></td>
<td>bass, director (GB)</td>
</tr>
<tr class="ensemborderbot">
<td><a href="http://www.agustifernandez.com/" target="_blank">Agusti Fernandez</a></td>
<td width="10"><img src="http://www.barryguy.com/transparent.gif" alt="" width="10" height="10" /></td>
<td>piano</td>
</tr>
<tr class="ensemborderbot">
<td>Evan Parker</td>
<td width="10"><img src="http://www.barryguy.com/transparent.gif" alt="" width="10" height="10" /></td>
<td>sax (GB)</td>
</tr>
<tr class="ensemborderbot">
<td>Mats Gustafsson</td>
<td width="10"><img src="http://www.barryguy.com/transparent.gif" alt="" width="10" height="10" /></td>
<td>sax, fluteophone (SE)</td>
</tr>
<tr class="ensemborderbot">
<td><a href="http://www.koch-schuetz-studer.ch/home.html" target="_blank">Hans Koch</a></td>
<td width="10"><img src="http://www.barryguy.com/transparent.gif" alt="" width="10" height="10" /></td>
<td>sax, clarinets (CH)</td>
</tr>
<tr class="ensemborderbot">
<td>Herb Robertson</td>
<td width="10"><img src="http://www.barryguy.com/transparent.gif" alt="" width="10" height="10" /></td>
<td>trumpet (USA)</td>
</tr>
<tr class="ensemborderbot">
<td>Johannes Bauer</td>
<td width="10"><img src="http://www.barryguy.com/transparent.gif" alt="" width="10" height="10" /></td>
<td>trombone (DE)</td>
</tr>
<tr class="ensemborderbot">
<td>Per Åke Holmlander</td>
<td width="10"><img src="http://www.barryguy.com/transparent.gif" alt="" width="10" height="10" /></td>
<td>tuba (SE)</td>
</tr>
<tr class="ensemborderbot">
<td>Paul Lytton</td>
<td width="10"><img src="http://www.barryguy.com/transparent.gif" alt="" width="10" height="10" /></td>
<td>percussion (GB)</td>
</tr>
<tr>
<td>Raymond Strid</td>
<td width="10"><img src="http://www.barryguy.com/transparent.gif" alt="" width="10" height="10" /></td>
<td>percussion (SE)</td>
</tr>
</tbody>
</table>
<p><strong>Barry Guy</strong> is one of the world&#8217;s leading          bass soloists and improvisers, well known as director and founder of the          London Jazz Composers Orchestra, also as a composer of new music for chamber          ensembles and symphony orchestras has founded a new ensemble called the          Barry Guy New Orchestra.</p>
<p>This all-star band brings together the biggest names in the world of          contemporary Jazz and Improvisation from America, England, Sweden, Switzerland          and Germany.</p>
<p>The world premiere of the new composition <em>Inscape-Tableaux</em> by          Barry Guy was staged in Ireland for the &#8220;Mostly Modern Festival 2000&#8243;.          During four days the musicians performed a unique set of trios, duos,          solos and finally the new piece.</p>
<p>Open rehearsals and workshops provided an insight into the process of          creating a new ensemble and into the intriguing combination of free improvisation          and composed structures.</p>
<p><strong>Evan Parker</strong> may be the most          formidable saxophonist since John Coltrane. He plays Trane&#8217;s instruments,          tenor and soprano, and lists Coltrane as one of his principal influences.          Parker is emphatically not an &#8220;entertainer,&#8221; but a true artist who has          developed an entirely new way to play the saxophone. He has developed          the possibilities of unpremeditated music more deeply than almost anyone,          creating a personal vocabulary that is simultaneously instantly recognisable          and adaptable to the most varied of situations &#8230;&#8221;</p>
<p align="right"><em>Robert Spencer</em></p>
<p>His discography is so extensive that it has been published in book form          and lists over 150 albums recorded over a period of more than three decades          (Publisher Bandecc hi&amp;Vivaldi by Francesco Martinelli) this will soon          be updated since he has recorded a vast number of new CDs in the past          few years.</p>
<p><strong>Mats Gustafsson</strong> was born in Umeå,          a town in the north of Sweden with a rich cultural life and an inspiring          jazz scene. He is now one of the most significant new faces in improvised          music. Combining great sensitivity and attention to detail with boundless          energy. He has developed a close collaboration with an increasing number          of top rank musicians, including bassist Barry Guy, violinist Philipp          Wachsmann, cellist Günter Christmann, percussionist Michael Zerang,          and more recently saxophonist Peter Brötzmann.</p>
<p>&#8220;Mats is the most modern of players where the genre tags of jazz, noise,          experimental, avant-whatever are finally transcended to a new millennium          – where compositional concepts are at once in check with open improvisation          and a super-postmodernism becomes what we always wanted: rock &amp; roll!&#8221;</p>
<p align="right"><em>Thurston Moore</em></p>
<p><strong>Hans Koch</strong> worked first as a solo          clarinettist in Winterthur and performed widely as a soloist and chamber          musician. In the early Eighties he became involved in Jazz being influenced          by musicians like John Coltrane, Albert Ayler, Anthony Braxton and Evan          Parker. In his first trio with Martin Schütz and Marco Käppeli          he began to experiment more and more with a mixture of composition and          improvisation.</p>
<p>Since then his career as a free improviser and composer has brought him          together with Cecil Taylor with whom he played in the &#8220;European Big band&#8221;,          Shelley Hirsch, Butch Morris, David Moss, Andrew Cyrille and many of the          leading European improvisers. With Barry Guy he has played as a Duo partner          and his collaboration with the Swiss musicians Werner Lüdi, Stephan          Wittwer and Fredi Studer has lead to numerous albums on the Intakt label          and others.</p>
<p>&#8220;A brilliantly virtuosic, independent saxophonist and bass clarinettist          with a beautiful, clear and convincing tone, a first class improviser,          differentiated, powerful, rich in ideas and many-facetted&#8221;</p>
<p align="right"><em>Christian Rentsch</em></p>
<p><strong>Herb Robertson</strong> is internationally          renowned as an innovative instrumentalist, composer, and arranger in traditional          and avant-garde jazz and new music. He has performed and recorded with          Tim Berne, Mark Helias, John Zorn, George Gruntz, Bobby Previte, London          Jazz Composers Orchestra, Charlie Haden&#8217;s Liberation Music Orchestra,          and Bill Frisell. He has also recorded five albums under his leadership          for JMT.</p>
<p>&#8220;Herb Robertson has a voracious appetite for the jazz past, with an eye          toward the future &#8230; He forced runs of superhuman length, power and density          from his horn, yet his tone was amazingly clear and crisp. He used a range          of half-values, split tones and mutes to introduce a breadth of tonal          colourations to his performance. &#8221;</p>
<p align="right"><em>NY Times</em></p>
<p><strong>Johannes Bauer</strong> is best known for          his work with his brother Connie Bauer and the bands &#8220;Doppelmoppel&#8221; and          &#8220;Slawterhaus&#8221;, he is one of the most dramatic and articulate trombone          players in the German improvising music scene and has made a substantial          contribution to free and new music since the Seventies as a soloist, composer          for improvising musicians and in various ensembles. He is instantly recognisable          by his amazing sound, rhetoric and the seamless blend of highly theatrical          and lyrical playing.</p>
<p><strong>Per Åke Holmlander</strong> is one of          the leading exponents of the new generation of improvisers and new music          performers in Sweden. He is known both in the new music and free improvising          scene as a virtuoso on the tuba with an amazing range of colours and dynamics.</p>
<p>He is a member of Mats Gustafsson&#8217;s NU Ensemble and Barry Guy&#8217;s London          Jazz Composers Orchestra amongst others, and is also well know for his          contribution to music theatre.</p>
<p><strong>Paul Lytton</strong>, one of the first members          of the experimental British free-improvising avant-garde in London during          the Sixties and early 1970s, was a founder member of the London Musicians          Coop and the Aachen Musicians Cooperative.</p>
<p>He has been building own instruments since 1969 (<em>Incus 14</em> features          Evan Parker on the lyttonophone), and had an exhibition of the equipment          in Wuppertal in 1980. Since 1975 has lived in Belgium. Founded Po Torch          Records in 1976 with Paul Lovens, with whom he has recorded three duo          albums.</p>
<p>Perhaps most well known in the UK and US as a member of the Parker/Guy/Lytton          trio and, prior to that, for working in duo with Evan Parker. However,          there are many recorded contributions to other groupings, most notably          the London Jazz Composers Orchestra and King Ubu Orchestru, also recently          ECM released a duo recording with Paul Lytton and Philipp Wachsmann called          <em>Some other Season</em>.</p>
<p><strong>Raymond Strid</strong> is one of the leading          figures in the Swedish improvising scene. He regularly performs with Mats          Gustafsson, Marilyn Crispell, Barry Guy in their respective trio and quartet          formations. He is also in demand all over Europe and America to play in          various larger ensembles.</p>
<p>&#8220;Raymond Strid is an explorer of sounds with an extremely sensitive ear,          a percussionist who creates sonic rooms. &#8221;</p>
<p align="right"><em>Jazz Review</em></p>
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